Widely regarded as a classic text of modern Vietnamese literature, Vu Trong Phung's The Storm (1936) is also the only colonial-era novel that features a leading member of the Indochinese Communist Party (ICP) as its main character. As a result, the novel provides rare insight into popular Vietnamese attitudes of the day toward communism and local communist activists. This issue merits attention because studies of early Vietnamese communism tend to approach the movement from the inside exclusively (by examining the institutional development of the Party and the lives and ideas of its leaders) while more or less ignoring perceptions of it from without.
It is also important because the Party has long fostered a suspiciously monochromatic image of itself over time as an entity that is invariably modern, scientifically oriented, morally virtuous, socially based in the lower classes and deeply nationalistic. The process whereby this cluster of vaguely Stalinist attributes came to embody the transhistorical nature of the Party dovetailed with the consolidation of communist control over state power in northern Vietnam after 1954.
Vu Trong Phung's The Storm, however, calls into question the historical continuity of the Party's character and reputation by presenting a pre-Stalinized portrait of the Vietnamese communist leadership. The recovery of this image is significant because of the likelihood that it reflected a widely held view of the movement during the late colonial era and because it is consistent with a fragmentary body of historical evidence about the nature of the ICP during its formative stage of development.
Finally, a consideration of recent debates over the novel will reveal the limited extent to which the Party has been prepared, during the reform era, to tolerate the spread of unorthodox narratives of its origins and historical development.
Peter Zinoman is associate professor of history and Southeast Asian studies at the University of California, Berkeley. His first book - The Colonial Bastille: A History of Imprisonment in Vietnam, 1862-1940 (Berkeley: University of California Press, 2001) - was awarded the John K. Fairbank Prize in East Asian History from the American Historical Association in 2,002. He is currently working on a study of the writer Vu Trong Phung and the emergence of modernist movements in inter-war Vietnam. His most recent publication - Dumb Luck: A Novel by Vu Trong Phung (Ann Arbor: University of Michigan Press, 2002) - is a translation of a vernacular-language satire of colonial society in Vietnam published originally in 1936.
