The past few years of political, economic, and social turbulence in Indonesia have led observers to wonder: "What is Indonesia?" Implicit in this question are others: "What has Indonesia been?" "What is it becoming?" and "What will become of it?"

To explore and debate possible answers, a roundtable has been scheduled for 5 April at the annual convention of the Association for Asian Studies in Washington DC. The six analysts who will speak at the roundtable have prepared brief essays--two or three pages each--that have been posted in easily downloadable form on the Asia/Pacific Research Center's website, at .

The most prominent of these analysts is Goenawan Mohamad, arguably the leading public intellectual in Indonesia today. "An Unfinished World" is his websited response to the question "What is Indonesia?" Those planning to hear Goenawan on 8 April here at Stanford need not have read his essay to understand his talk, which will go beyond his written words, but are welcome to download, print, and read it.

Goenawan Mohamad has for many years championed press freedom in Indonesia. In 1963, under the leftward regime of the country's first president, Sukarno, he signed a cultural manifesto against "socialist realism" in the arts. The manifesto was soon condemned as "counter-revolutionary." In 1964 the regime banned writings by independent-minded intellectuals such as Goenawan. In 1967 he returned from Europe to join a student newspaper that had opposed Sukarno's rule. Seven years later, the paper was banned by Sukarno's successor, Suharto. In the meantime, Goenawan had become chief editor of a weekly newsmagazine, Ekspres, and been fired by its owner for opposing government interference in a union of Indonesian journalists. Goenawan then helped to found a new weekly newsmagazine, Tempo, and became its chief editor. In 1984 Suharto banned the journal for two months because of critical coverage of the country's ruling party. Ten years later, Tempo was banned indefinitely for having criticized one of Suharto's cabinet ministers. The journal soon resurfaced on the Internet, but would not reappear in print until after Suharto's fall in 1998. Since 1999, in Jakarta, Goenawan has managed a community of media, cultural, and political activists dedicated to freedom of thought and expression. Over the course of his career, he has published books of essays and poetry, written a libretto for an opera that premiered in Seattle in 1999, and held visitorships at Harvard and UCLA, among other institutions.