This Q&A first appeared in The Diplomatmagazine.

The Gwangju Uprising of May 18-27, 1980, was a pivotal step in South Korea’s march toward democratization. After protesting students were brutally attacked by soldiers, the people of Gwangju joined in armed resistance against the martial regime of Chun Doo-hwa, who had seized power in a coup. The uprising was put down by government troops; the final death tally remains hotly debated, but most academic estimates place it at over 1,000 dead.

The public outrage sparked by the incident sowed the seeds of Chun’s downfall, though it would take another seven-plus years for South Korea to hold its first democratic presidential election.

The Diplomat interviewed Gi-Wook Shin – the director of the Walter H. Shorenstein Asia-Pacific Research Center and the founding director of the Korea Program, both at Stanford University – about the legacy of the Gwangju Uprising in South Korea, and how it resonates today. Shin is also the William J. Perry Professor of Contemporary Korea; a senior fellow of the Freeman Spogli Institute for International Studies; and a professor of sociology, all at Stanford University.

The Gwangju Uprising was in 1980; South Korea would finally hold democratic elections in 1987. What role did the Gwangju Uprising — and the resulting massacre — play in South Korea’s democratization process?

The tragic outcome was a brutal wakeup call to Korean democratic movements. Their failure in 1980 called for a new movement strategy to build an alliance between students/intellectuals and grassroots citizens. This alliance became instrumental in successfully organizing and mobilizing the masses in the summer of 1987, when millions of people marched together for democracy. Gwangju also became a symbol of the struggle for freedom and human rights throughout Korea’s democratization.

The massacre also created serious legitimacy problems for the Chun regime throughout its tenure. Chun was widely portrayed as the only ruler in Korean history who mobilized government troops to kill their own innocent citizens. It was almost impossible to justify extending autocratic rule beyond his regime, and Chun and his military colleagues had to accept democratic reform and elections in 1987.

Finally, the massacre provoked anti-American sentiments and movements in the 1980s during pro-democracy movements. Largely pro-American until then, Koreans expected the U.S. to support their fight for democracy – in fact, the Carter administration pressed the Park Chung-hee regime to improve human rights and political freedom. However, Koreans were disappointed and angry that the U.S. did not stop the Korean military, which was under the U.S. commandership, from killing innocent citizens. While there existed controversies over the extent to which the U.S. was complicit in the tragic incident, the U.S. was no longer deemed an ally in their fight for democracy but just another neocolonial power supporting dictatorship.

Both Chun Doo-hwan and Roh Tae-woo were sentenced to prison for their roles in the Gwangju massacre, among other charges. Both former presidents, however, were pardoned in 1997. Chun and Roh passed away in 2021, eliminating any possibility of an apology. Is there still a sense of “unfinished business” or a lack of closure after the massacre of May 1980? 

Gwangju became the most important issue of transitional justice in the democratic era and victims were compensated through a special law, while perpetuators such as Chun and Roh were punished. The uprising was officially recognized as “Gwangju Democratization Movement,” and May 18 is celebrated as an unofficial memorial day in Korea.

However, there remains a sense of lack of closure. Besides the two former presidents passing without making an apology, there has been little progress on efforts to recognize the “May 18 Democratization Movement” in the preamble of South Korea’s constitution. President Yoon made campaign promises to support such recognition, and if/when this happens, it will be an important step toward a final closure.

Gwangju’s legacy remains contested. The far-right claims (as Chun did until his death) that North Korea was behind the unrest and that death counts were overblown. Is this a fringe view, or does it resonate more broadly with South Korea’s conservatives?

Gwangju’s legacy is now much less contested, and such a view is held only by the far-right minority. Presidents of conservative administrations such as Lee Myung-bak and Park Geun-hye attended the May 18th Memorial Services held in the city and the main conservative party apologized for its past members (far rightists) who “defamed” and “insulted” the Gwangju movement a few years ago.

President Yoon visited the city to pay a tribute to the victims during his presidential campaign and attended this year’s memorial services on May 18. Furthermore, his cabinet members and presidential advisers, as well as National Assembly members of his party, all accompanied him to the service. This shows a broad consensus about the meaning and legacy of Gwangju in Korean society, regardless of political or ideological orientation.

How does the legacy of the Gwangju Uprising reflect a broader disagreement in framing the legacy of South Korea’s past dictators? For example, after Chun’s death Yoon Suk-yeol – then a candidate, now South Korea’s president – praised the former dictator for being “good at politics.” 

There certainly exists a nostalgia among some conservatives in South Korea who believe that leaders like Park Chung-hee and Chun Doo-hwan did well in improving the nation’s economy, while being authoritarian. Yet even those people would not contest the tragic nature of the uprisings and their aftermath.

Yoon’s comment was made as an attempt to explain that even though he does not have much experience in politics, he could do well by relying on able technocrats, as did Chun. I don’t think he meant by it that he supports dictatorship, and he immediately made an apology for his remark.

How does South Korea’s struggle for democracy factor into modern day politics, especially as the generation directly involved are aging out of the political sphere? Does the legacy of the Gwangju Uprising resonate with young South Koreans? 

Democratic activism has become a valuable type of political capital since democratization, and former activists have become the ruling elite of the progressive governments, especially in the Moon Jae-in administration. As these so called “386 generation” activists (those who were born in 1960s, entered college in the 1980s, and were in their 30s at the time of their activism) became the power elite, however, they acted no differently than their conservative counterparts. After all, they were accused of simply becoming another new establishment.

As a result, after the Moon administration, past activism lost moral ground and is no longer valued as political capital. As I pointed out elsewhere, the former activists played a crucial role in bringing in democracy but have since stopped short of advancing liberal democracy in Korea.

As far as I know, the legacy of the Gwangju Uprising does not resonate much with young South Koreans – it is just part of Korean history.

What is the relevance of the U.S. approach to the Gwangju Uprising for the modern-day relationship? Does past U.S. support for South Korea’s dictators, despite the bloodshed at Gwangju, still rankle? 

Charges of U.S. complicity in the Gwangju massacre and the subsequent rise of anti-Americanism in Korea undoubtedly concerned American policymakers. When millions of people filled the streets again demanding democratic reform in the summer of 1987 with such anti-American slogans as “Yankees, Go Home,” the U.S. was deeply concerned. This time the Reagan administration moved decisively by sending Gaston Sigur, an assistant secretary of state, to Seoul to meet with Chun, who was considering mobilizing armed forces once again to resolve the crisis. The U.S. seemed to learn lessons from what had happened in Gwangju seven years prior. Pressured by the Americans, Chun cancelled plans to crush the opposition by using military force and granted political concessions that paved the way for a democratic transition in Korea.

Still, anti-Americanism continued to rankle U.S.-ROK relations for many more years that followed. In 2002 when two Korean school girls were killed by U.S. military vehicles during the military exercises, for instance, another wave of anti-Americanism swept the country and the progressive candidate Roh Moo-hyun, who took a tough stance toward the U.S., won the 2002 presidential election.

Since then, however, anti-American sentiments gradually declined, and now the majority of South Koreans do not any longer hold resentment against the U.S. On the contrary, an increasing number of South Koreans support a stronger alliance with the U.S. in the face of rising China. The new Yoon government is expected to join the U.S. in defending a liberal international order that is threatened by autocratic leaders like Putin and Xi.

Expanding the Field of Korean Studies

As he welcomed conference attendees, Stanford sociologist Gi-Wook Shin, the William J. Perry Professor of Contemporary Korea and founding director of the Korea Program, explained that the goal in gathering participants and presenters who represent deep and varied interests in Korea is to highlight the importance of Korean studies programs and build bridges between the United States and Korea, creating a lasting impact well beyond campus.

Shin, who also serves as APARC director, reflected on the efforts made to build a thriving Stanford research hub on contemporary Korea. These include establishing a Korean collection at the East Asia Library, recruiting faculty with expertise in both the social sciences and the humanities, academic publishing, offering training and fellowship opportunities, and events programming.

The conference’s dual focus on North Korea’s geopolitics and South Korea’s Hallyu reflects Shin’s commitment to expanding the range of inquiry about Korea. “To understand contemporary Korea and further Korean studies, it is critical to couple the traditional focus on the Peninsula’s security dilemma with a broader examination of Korean society and culture,” he said.

Professor of International Studies Michael McFaul, director of the Freeman Spogli Institute for International Studies, the parent organization of APARC and the Korea Program, and Professor of Jewish Studies Gabriella Safran, the senior associate dean for humanities and arts, contributed additional welcome remarks, symbolizing the Korea Program’s bridging of both the social science and humanities fields. Safran observed that Korean studies instruction at Stanford has been designed to engage the university community broadly and highlighted the evolution of Stanford students’ understanding of popular culture, thanks in part to the rising popularity of the Korean Wave.

North Korea’s Geopolitics and Society

The morning session of the conference opened with a panel on North Korea. Attendees heard from Siegfried Hecker, professor emeritus in management science and engineering, about the prospects for a renewed diplomacy policy with North Korea; from Kim Sook, former ROK ambassador to the United Nations, about the status of inter-Korean relations and North Korea’s efforts to stave off a COVID-19 crisis; and from Joohee Cho, Seoul bureau chief at ABC News, about the challenges of reporting from and on North Korea and the need to better understand North Korean society beyond the trope of the diplomacy of denuclearization.

Reflecting Back, Looking Ahead

Ambassador Kim, who is also a former fellow with the Korea Program, is one of many Program alumni from the academic, policy, and industry sectors. Speakers on the following panel represented the scope of expertise of the Program’s alumni community and the wide-ranging training and fellowship opportunities the Program facilitates.

The panel brought together Paul Chang, associate professor of sociology at Harvard University, Joon-woo Park, former ROK ambassador to the EU and Singapore, Jong Chun Woo, former president of Stanford APARC-Seoul Forum, and Megan Faircloth, a Stanford Senior in the Department of East Asian Languages and Cultures, to consider the Korea Program’s past, present, and vision for the future.

Hard, Soft, and Smart Power

Delivering the keynote address on the first day of the conference, former UN Secretary-General Ban Ki-moon focused on the paradox of the two Koreas. On the one hand, the Republic of Korea has followed a remarkable national development trajectory to become a powerhouse of cultural and artistic creativity – “a global soft power pace-setter,” said Mr. Ban. On the other hand, North Korea, with its stunted development, is seen as a global pariah, and its fixation on hard power suffocates the creativity, innovation, and culture of its own people through systemic repression, state control, and censorship.

But hard power and soft power are not the only two paths, Mr. Ban stated. He went on to explain that a truly advanced country should embrace a forward-thinking national identity of smart power, combining and ultimately transcending hard power- and soft power-related attributes and characteristics. “In an uncertain future, I am certain that Korea’s ascension into a smart power can advance a common destiny for all, one rooted in peace, sustainability, and prosperity,” said Mr. Ban. The best way to achieve this vision, he concluded, is to educate new generations to embody the principles of global citizenship and help them live in harmony and peace with other human beings, irrespective of their nationality.

The soft and hard power strategies of the two Koreas are also the focus of two new documentaries commissioned by the Korea Program. Focused on K-pop and the North Korean human rights crisis, the films are intended to help scholars in teaching students about these two topics. The conference included the unveiling of the documentaries’ trailers and a discussion with film director Hark Joon Lee. The complete documentaries will be released later this year.

Hallyu Has No Borders

There is no doubt that the speaker who most charmed conference attendees and the multitudes of global viewers who watched the event livestream was SUHO, leader of K-pop group EXO. “Today, I am here as the guardian of EXO and K-pop,” SUHO said at the start of his speech, referring to the meaning of his stage name.

He went on to talk about his decade-long experience as a K-pop artist and the hard work and level of detail that go into the complex choreography of the K-pop dances, emphasizing the special, social media-driven emotional bond K-pop artists share with their global fanbase and noting how many fans take a deeper interest in Korean culture because they follow EXO.

Hallyu has no borders and no longer stops at one specific art form, concluded SUHO. “We are witnessing its expansion into our society from every angle: music, dramas, movies, food, education, and more. K-culture is more than a passing trend. It’s a global phenomenon that will continue to grow and evolve,” he said.

Joining SUHO for a discussion of the Korean Wave were Stanford’s Marci Kwon, assistant professor of art and art history, and Angela Killoren, CEO of CJ ENM America, Inc., who oversees U.S. operations for the South Korean entertainment conglomerate that is known for its multiple Academy Award-winning movie “Parasite” and popular K-dramas such as “Crash Landing on You.”

Killoren described the evolution of the global adoption of K-dramas, largely made possible by their distribution through Netflix, and offered insights into the drivers and shapers of the rise of Korean entertainment. According to Killoren, unlike the predominantly male gaze-driven entertainment forms in other cultures, Korean entertainment content caters to the female gaze, as befitting the consumer side of the Korean economy that has been driven by the purchasing power of women

From Immediate Interest to Long-Term Commitment

The second day of the conference convened leading academics to examine how to translate the wide interest in North Korea and K-pop into Korean studies. Panelists included Michelle Cho, assistant professor of East Asian studies at the University of Toronto, David Kang, professor of international relations and business at USC, and Stanford’s own Yumi Moon, associate professor of history, and Dafna Zur, associate professor of East Asian languages and cultures and director of the Center for East Asian Studies.

The panelists agreed on the importance of funding and supporting the study of Korean language in higher education, providing students with tools to articulate their knowledge and experience and help them arrive at insights that are personal, meaningful, and constructive; and fostering and supporting junior faculty. The discussion was followed by a lively Q&A session that engaged many student attendees.

Future Visions of K-pop

The conference concluded with a keynote speech by Soo-Man Lee, founder and chief producer of SM Entertainment. SM is one of South Korea's largest entertainment companies and is famous for fostering and popularizing the careers of a myriad of K-pop groups and stars — including the likes of aespa, NCT, Red Velvet, SUPER JUNIOR, and EXO — and for leading the worldwide K-pop phenomenon and the musical side of Hallyu

Lee recounted his roots as “K-pop’s first mover,” explaining how K-pop music expanded globally and how it demonstrates the power of content amid exponential technological revolution. “It connects the hearts of people around the world beyond generations and ideologies,” he said.

Lee described SM’s systematic production and management system, which he coined “Culture Technology (CT)” and which includes casting, training, content production, and marketing. This so-called CT system is the “growth engine of K-pop,” he noted.

He elaborated on his vision for a future of K-pop that centers on the “Play2Create” (P2C) ecosystem and combines metaverse technology. Within this blockchain-based ecosystem, which Lee says forms part of a new creator economy, fans, or “prosumers” can proactively use the original SM intellectual property to enjoy and create new content through recreation. The ultimate vision of K-pop and Hallyu is to contribute to human creativity, concluded Lee.

The conference made headlines in Korean media and elsewhere. Explore selected media coverage, the event press release, conference agenda, and YouTube playlist including the full livestream recordings via the links below

Selected Media Coverage

• The Stanford Daily - May 26
• Yonhap News - May 22
• Yonhap News - May 21
• Yonhap News - May 20
• Yonhap News - May 20
• SPOTV News - May 21
• Rappler - May 20

Event page and complete agenda 
Event press release 

This commentary first appeared in The Diplomat magazine.

At the 2022 Grammy Awards on April 3, Ukrainian President Volodymyr Zelenskyy delivered a pre-recorded speech, imploring musicians and the global community to speak out on the ongoing war in Ukraine. “Russia,” he said, “brings horrible silence with its bombs.” Zelenskyy urged the Grammy artists to “fill the silence with your music… Tell the truth about this war on your social networks, on TV.”

Many artists in the United States and worldwide have been doing just that, with singers ranging from Billie Eilish to Elton John donating and speaking out in support of the Ukrainian people. But one group has been conspicuously absent from this movement: South Korea’s K-pop singers. Despite their rising global stature, only a handful of K-pop idols have heeded Zelenskyy’s call.

Indeed, while outspokenness on hot-button societal issues has become ubiquitous among American celebrities – who voice their thoughts on causes ranging from the war in Ukraine to Black Lives Matter, LGBTQ+ rights, and climate change – the social media accounts of Korean idols cultivate squeaky-clean images rather than broach subjects that could prove controversial. Only top stars like BTS have had leeway to speak out on pressing issues – and even then, this is rare. At most, others express their support quietly with subtle fashion items, or advocate on relatively uncontroversial causes, like air pollution or animal rights.

K-pop idols’ silence is particularly conspicuous in comparison to their global fanbase, which has proved to be a formidable source of human rights advocacy around the world. K-pop fans in Myanmar have played a crucial role in organizing anti-authoritarian protests in the country. In 2020, pro-democracy protesters in Thailand marched to the tune of the Girls’ Generation song “Into the New World” – a track that has a rich history of use in South Korea’s own protest movements. In the United States, during the major Black Lives Matter movements in 2020, K-pop fans drowned out racist voices by flooding anti-BLM Twitter hashtags with fancams of their favorite idols.

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Korean celebrities’ avoidance of these contentious issues stems, understandably, from the goal of achieving widespread popularity. In trying to foster an expansive, loyal fanbase, K-pop agencies have instructed singers to avoid topics that could alienate fans instead of attracting them: K-pop stars are not allowed to date, let alone voice opinions on sensitive global causes.

Yet, if K-pop hopes to have global staying power, it is time to break this silence. To ensure that K-pop is taken seriously, the industry’s idols should begin to engage with serious issues that global audiences care about. This is especially true in light of a growing expectation that idols should do so. For example, fans seek accountability from an industry that benefits from the appropriation of Black culture or the support of LGBTQ+ communities, yet whose stars remain silent on the rights issues these groups face. Speaking out on such causes is a sure way for K-pop to garner widespread global respect and cement its place as a genre that is relevant, global-minded, and here to stay.

True, idols may alienate some fans by advancing certain positions, but this has done little to hurt K-pop’s overall march toward global domination. The genre’s popularity is so immense that in 2020, the Chinese Communist Party backed down from an attempt to stir nationalist frenzy against BTS. The mega-boy group emerged unscathed.

Even the Kim Jong Un regime, one of the most oppressive governments in the world, is no match for K-pop: The genre’s popularity among North Koreans persists despite the threat of execution for individuals caught listening. In fact, the issue of human rights in North Korea could be an important cause for K-pop celebrities to take up, especially given K-pop’s penetration into the reclusive nation. Who is better positioned than South Korean idols to speak up on behalf of their brethren to the north?

The problems within the K-pop industry itself may be another good place to start. Idols face notoriously grueling working conditions and immense mental and physical pressure. If idols are to begin voicing their opinions, agencies must better support their artists, rather than abandoning them when controversy arises.

K-pop stars do not need to become as politically hyperactive as their counterparts in the United States. However, now that they have a foothold in global markets, they should use their platform to speak out on human rights movements – not only because they are well-positioned to support these causes, but also because doing so will cement their global staying power. To remain globally relevant, K-pop must be the first mover, not a fast follower – or risk getting left behind.

The Korea Program at Stanford's Walter H. Shorenstein Asia-Pacific Research Center (APARC) will mark its 20-year anniversary with a conference focused on North Korea’s geopolitics and South Korea’s pop culture wave (Hallyu), two aspects of Korea that continue to intrigue the public. Exploring how to translate this public attention into an increased academic interest in Korea, the conference will be headlined by Ban Ki-moon, former United Nations Secretary-General, and Soo-Man Lee, Founder and Chief Producer of SM Entertainment, who will join a lineup of speakers including SUHO, leader of K-pop group EXO. The two-day event will take place on May 19 and May 20, 2022, at Stanford’s Bechtel Conference Center, and is free and open to the public.

Breaking with the format of a traditional academic conference, the event will bring together scholars and experts to envision new horizons for the field of Korean Studies. It will include panel discussions on issues such as security on the Korean peninsula, North Korean human rights, U.S.-DPRK relations, and the rising global popularity of South Korea’s soft power, with a focus on K-dramas and K-pop. Scholars from Stanford and other prestigious North American universities will join on-stage conversations with leading practitioners including Joohee Cho, Seoul Bureau Chief at ABC News, and Angela Killoren, CEO of CJ ENM America, as well as government officials including Kim Sook, the former South Korean Ambassador to the UN, and Joon-woo Park, the former South Korean Ambassador to the EU, both former visiting fellows at the Korea Program.

Kim Hyong-O, the former speaker of South Korea’s National Assembly as well as a Korea Program alum, and Geun Lee, the president of the Korea Foundation, will deliver remarks at a private dinner event, which will recognize major donors and supporters of the Program.

“We are delighted to mark the twentieth anniversary of the Korea Program with such an outstanding lineup of speakers,” says Gi-Wook Shin, William J. Perry Professor of Contemporary Korea at Stanford and the Program’s founding director. “For the past two decades, the Program has produced exceptional research on pressing issues, fostered connection between scholars and policymakers, and nurtured numerous students,” Shin notes. These accomplishments will be on display in the Korea Program’s new digital archives, which will be unveiled at the conference.

The event will also feature previews of two brand new documentaries, one on K-pop and the other on North Korean human rights, directed by Hark Joon Lee. “It is our hope that these documentaries will deepen global understanding of these issues and be used to help teach the next generation of students about Korea,” says Shin, who provided input on the films along with his research team at the Korea Program.

“We are incredibly grateful to those who have helped the Korea Program thrive over the past two decades,” notes Shin. “This conference will be an opportunity to share our thanks and reflect on our achievements while looking forward to the Program’s future.”

For conference registration, as well as the full agenda and speaker list, please visit the event page. Registration will open on Monday, May 2, 2022, at 9:00 a.m. PDT.

The conference will be live-streamed on APARC's YouTube channel.

About the Korea Program

The Korea Program at Stanford’s Shorenstein Asia-Pacific Research Center is a West Coast hub of scholarship on contemporary Korea and the issues shaping the future of the Korean Peninsula and U.S.-Korea relations. Our work examines these topics from regional and comparative perspectives through cultural, political, and economic lenses. We train and support emerging Korea scholars and convene experts from academia, government, business, and civil society for dialogue, research, and publishing activities that inform policymakers in the United States and Korea and strengthen the bonds between the two countries. For more information, visit our website.

Media Advisory and Press Contact

Journalists interested in covering the conference should contact Shorenstein APARC’s Associate Director for Communications and External Relations Noa Ronkin at noa.ronkin@stanford.edu by May 17 at 9:00 a.m. PT to register. At the venue, they will be required to present a press credential from an established news organization. Freelance reporters should email a letter from the news organization for which they work to Noa Ronkin by the May 17 deadline. The press area is limited and press seating is not guaranteed.

Center Director Gi-wook Shin discussed the results of the South Korean presidential election on CNBC's "Squawk Box Asia." 

After a particularly contentious race, conservative People Power Party candidate Yoon Suk-yeol, who won with less than one percent of the popular vote, indicated his resolve to bring unity to the country. Shin, however, is skeptical of the new president's ability to do so, stating "I have been warning about backsliding in Korean democracy...the new president has a lot of challenges to integrate Korean society, [which] has become divisive and highly polarized...We might expect a lot of tensions and fights in the coming years."

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When asked about how domestic political polarization might translate into policymaking, Shin said that Yoon's lack of formal political experience, combined with the opposition party holding control over the legislature, will prove to be a challenge in tackling both domestic and international issues.

"It is one thing to win the election, but [Yoon] still has no experience as a political leader, and Korea has a lot of challenges, a lot of problems internally and also in foreign policy. So will [Yoon] be able to bring unity to Korean society? I hope he could, but frankly speaking, I am skeptical he will be able to."

Shin has written about South Korea's democratic backsliding and has offered analyses of Korea's presidential election on numerous media outlets. APARC's resource page on the ROK 2022 presidential election and the future of Korean democracy curates these insights and more. Among other media interviews, Shin discussed Yoon's ascendance with AFP, noting that the president-elect "built his reputation as a fierce fighter against power abuse, not a conventional democratic leader who would value negotiation and comprise." 

Yoon became the conservatives' "icon" because he was "seen as the best person to beat the Democratic Party candidate, despite his lack of political leadership experience," Shin said.

"That does not bode well for Korean democracy as we may expect further polarization," he added.

This is an English translation of an article first published by the Chosun Ilbo.
See also the coverage by VOA Korea.

"Americans wonder why K-pop stars don't talk about universal issues such as human rights problems,” says Stanford sociologist Gi-Wook Shin, the director of the Shorenstein Asia-Pacific Research Center (APARC). “Isn’t it time for K-pop singers, too, to use their position to speak out?”

According to Shin, who is also the founding director of the Korea Program at APARC, K-pop and North Korean human rights are two aspects of Korea that particularly draw the interest of the general public in the United States. In May 2022, APARC will mark the 20th anniversary of the Korea Program. As part of the commemorative activities, the Program is producing a documentary about K-pop, followed by one that covers North Korean human rights.

"With a focus on these two issues, we hope to strengthen the Korea Program’s academic roots by linking to the field of Korean studies and to shed new light on North Korean human rights,” said Shin in a February 8th interview with Chosun Ilbo. He noted that, when seeking out topics for the documentaries to spotlight, he and his team kept in mind Silicon Valley’s strong consumer-oriented climate and the interests of students and the public.

In South Korea, the production of the documentaries is carried out by director Lee Hark-joon, a professor at Kyungil University and former TV Chosun producer-director. Lee is the creator of "Crossing Heaven’s Border," a documentary about North Korean defectors, as well as "9 Muses of Star Empire," which recorded scenes of the K-pop industry. For the forthcoming documentaries, he intends to capture footage that has not been seen on camera before, such as domestic K-pop production sites and the human rights movement in the North Korea-China border region.

To plan the creative direction of the K-pop documentary, the team at APARC has met frequently with the production crew in Korea via Zoom. Researchers of diverse origins and ethnicities participate in these meetings, but the official language is Korean. According to Shin, "Students acquire Korean even through self-study, and many are familiar with K-pop groups that I hadn’t even heard of, like aespa." He adds that "We spent two lectures on K-pop in my course on Korea last year, and there is not enough suitable video material to use for classes — this is another motivation behind producing these documentaries."

When Shin meets with Stanford students to discuss K-pop, they ask questions such as why, if K-pop enjoys immense status, K-pop singers do not seem to talk about issues such as human rights, whether Korean singers know that crowds of demonstrators sing K-pop songs while protesting for democratization in Asian countries like Myanmar, and if K-pop will be sustainable.

While these are questions that must be answered for K-pop’s future, "Americans are reading K-pop in a very American code," explains Shin. Americans also supported the South Korean human rights movement during the time of the country's authoritarian government in the 1970s. “Now,” notes Shin, “American intellectuals constantly discuss North Korean human rights or Chinese democracy. On the other hand, it is ironic that South Korean progressive groups, who received foreign help in their fight for human rights in the 1970s, downplay the human rights crisis in North Korea."

Shin shared that he and his team are also considering plans to make a proper documentary on Korea and distribute it through Netflix, where Korean content is gaining immense popularity.